שיר השירים, פרק ג׳, פסוק ז׳

Song of Songs 3:7Sefaria

הִנֵּ֗ה מִטָּתוֹ֙ שֶׁלִּשְׁלֹמֹ֔ה שִׁשִּׁ֥ים גִּבֹּרִ֖ים סָבִ֣יב לָ֑הּ מִגִּבֹּרֵ֖י יִשְׂרָאֵֽל׃

A majestic image of a royal bed surrounded by an elite honor guard evokes scenes of deep affection, strict security, and underlying tension. On a historical level, King Solomon is depicted as an active ruler dwelling securely among his people. His bed is heavily protected by guards standing in concentric circles of security [ביאור שטיינזלץ]. This intense protection is meant to shield his beloved from night robbers, serving as a powerful expression of their fierce love [מצודת דוד]. However, a contrasting view sees this scene as evidence of Solomon's tragic decline. A king who once ruled over an entire nation has lost his power, reduced to ruling only over his own bed. In this view, he requires massive security because he lives in a state of constant fear, terrified of demons in the night [תורה תמימה].

The primary approach among commentators is to read this scene as a spiritual allegory. The name Solomon does not refer to the historical monarch, but rather to God, the King to whom all peace belongs [תורה תמימה, מנחת שי, שפתי חכמים, עזרא בן שלמה]. Accordingly, the bed represents the physical space where the Divine Presence rests. This is understood as the Tabernacle and the Ark of the Covenant carried by the Israelites through the desert [רש״י, שפתי חכמים], the Divine Chariot [צרור המור], or even the tribes of Israel themselves [תורה תמימה].

The identity of the sixty mighty men guarding this sacred space is explored through several historical and institutional lenses. One perspective suggests the number sixty hints at the six hundred thousand Israelites. These heroes are identified as the army of men over the age of twenty [רש״י], the righteous generation of the desert [צרור המור], those who bravely circumcised themselves upon leaving Egypt [תורה תמימה], or the generation that ultimately entered the Land of Israel [אבן עזרא]. Another perspective views this might in terms of spiritual and legal leadership. The guards represent the sixty watches in the Temple, comprised of priests, Levites, and Israelites, who protect the nation and fast on its behalf [תורה תמימה, מצודת דוד]. Alternatively, they symbolize the members of the high court, the Sanhedrin. These scholars are sharp in Jewish law like a drawn sword, fighting the battles of Torah through rigorous legal debate and acting out of a deep reverence for true justice [תורה תמימה].

Beyond the national interpretations, the imagery extends into philosophy and mysticism. Philosophically, the bed represents the pursuit of intellectual perfection. The sixty mighty men are the scientific principles and logical rules that guard a person from falling into errors of thought, with the number sixty symbolizing absolute completeness [רלב״ג]. On an existential level, the bed is a metaphor for the human body. The guards are the vital organs that trap the divine soul within physical matter, fighting fiercely like warriors to prevent the soul from breaking free and leaving the body [מלבי״ם]. Finally, in the realm of mysticism, these sixty heroes represent spiritual forces divided into six extremities. They draw their strength from God's attribute of strict justice and might, surrounding and protecting the spiritual center from which all of creation is sustained [עזרא בן שלמה].

נעזרתם בפירוש שלנו ומצאתם בו ערך?

עזרו לנו להגדיל תורה ולהאדירה. תחזוקת האתר והשבחת התוכן כרוכות בהוצאות מרובות. תרומה קטנה שלכם תסייע לנו להחזיק את הפלטפורמה ותהפוך אתכם לשותפים מלאים בהנגשת חוכמת המקרא.

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