יחזקאל, פרק מ״א, פסוק י״ט

The interior design of the Temple featured a continuous visual pattern along its walls, blending the forms of cherubs and palm trees. A sculpted palm tree was positioned exactly between each pair of cherubs. Every cherub was crafted with two faces looking in completely opposite directions: the face of a human and the face of a young lion [שטיינזלץ].

This arrangement created a seamless chain of images. The human face of one cherub gazed toward the central palm tree from one side, while the young lion face of the neighboring cherub looked toward the very same palm tree from the opposite side. This precise alternation repeated itself, linking the figures together in an unbroken sequence along the length of the wall [רד״ק, מצודת דוד, שטיינזלץ].

There are different perspectives regarding exactly where these elaborate carvings were placed. One approach maintains that this repeating motif encircled the entire interior of the Temple building [מצודת דוד, שטיינזלץ]. In contrast, a more specific view suggests that these alternating faces and palm trees were carved exclusively into the walls of the Holy of Holies [רש״י].