The construction of the Incense Altar, often called the Golden Altar, required a complete overlay of gold. This design choice ensured that no wood remained visible, giving it an appearance that perfectly matched the style of the other inner vessels within the Tabernacle, such as the pure table and the Menorah [אבן עזרא, קאסוטו]. The altar featured a plated roof, which served as the flat top surface where the daily incense was carefully arranged [ביאור שטיינזלץ, ביאור יש״ר]. The existence of this solid roof highlights a fundamental difference between this altar and the outdoor Altar of Burnt Offering. While the Incense Altar had a real top, the copper outdoor altar was completely hollow, designed to be filled with earth at each location where the Israelites camped in the desert [רש״י, מלבי״ם, ביאור יש״ר]. This clear physical distinction prevents any mistaken assumption that the two structures shared the same design [משכיל לדוד].
Despite its wooden core and incredibly thin layer of gold, the altar experienced a continuous miracle. It never caught fire or burned from the hot coals placed upon it. The commentators explain that the fire used was of a heavenly nature; it had the unique power to consume other fire but did not destroy physical matter [פרדס יוסף]. Furthermore, once the altar was fully plated and set in its permanent location, it was legally considered firmly attached to the ground. Because of this unique status, it could not contract ritual impurity and never required the ritual immersion mandated for standard portable vessels [תורה תמימה].
Surrounding the top of the altar was a decorative gold border or protruding frame [ביאור שטיינזלץ]. This feature served multiple overlapping purposes. Practically, it wrapped around the thickness of the wooden boards forming the roof, ensuring that all four edges were completely sealed in gold with no wood left exposed [בכור שור, חזקוני]. Aesthetically, it created a unified design language within the Tabernacle, mirroring the similar golden borders found on both the Ark and the Table [קאסוטו]. Beyond its physical form, this border carried deep symbolic meaning. The primary approach among commentators is that it represents the crown of the priesthood [רש״י, מלבי״ם]. This specific crown was placed on the Incense Altar because the burning of incense is viewed as the most elite and elevated of all the priestly duties [משכיל לדוד]. By featuring this crown, the altar takes its place alongside the nation's most central symbolic vessels, elevating the spiritual ideals it represents to a supreme and enduring level [רש ר הירש].