דניאל, פרק ג׳, פסוק ז׳

Daniel 3:7Sefaria

כׇּל־קֳבֵ֣ל דְּנָ֡ה בֵּהּ־זִמְנָ֡א כְּדִ֣י שָֽׁמְעִ֣ין כׇּֽל־עַמְמַיָּ֡א קָ֣ל קַרְנָא֩ מַשְׁר֨וֹקִיתָ֜א (קיתרס) [קַתְר֤וֹס] שַׂבְּכָא֙ פְּסַנְטֵרִ֔ין וְכֹ֖ל זְנֵ֣י זְמָרָ֑א נָֽפְלִ֨ין כׇּֽל־עַֽמְמַיָּ֜א אֻמַּיָּ֣א וְלִשָּׁנַיָּ֗א סָֽגְדִין֙ לְצֶ֣לֶם דַּהֲבָ֔א דִּ֥י הֲקֵ֖ים נְבוּכַדְנֶצַּ֥ר מַלְכָּֽא׃

The absolute compliance of an entire empire culminates in a single dramatic moment. At the sound of music, masses of people from diverse nations and languages surrender their unique identities, uniting in an act of submission to a golden idol. The primary approach among commentators is that this mass surrender occurs as a direct result of the royal herald's severe warning. Alternatively, [אבן עזרא] views the event as taking place upon the completion of all the grand preparations. The playing of the music serves as the agreed-upon signal, marking the moment for all the gathered nations to bow down [רש״י, ביאור שטיינזלץ].

However, the musical cue itself contains a surprising detail. One specific instrument, the symphonia, which was explicitly mentioned in the king's original command, is notably absent when the music actually plays. This omission is not an accident. One approach suggests it is a calculated, tactical move by Nebuchadnezzar, designed specifically to test the Jews. The king anticipated their refusal to bow and deliberately withheld one instrument. Because the original royal decree is not fully executed, anyone who disobeys is not immediately liable for the death penalty. This legal loophole gives the king an opportunity to confront the Jews again, attempt to persuade them peacefully, and warn them that a subsequent refusal—when all the instruments, including the symphonia, finally play together—will result in being thrown into the fiery furnace [מצודת דוד, אלשיך].

Another perspective explains the missing instrument through the lens of geography and social class. According to this view, the symphonia is an expensive, royal instrument played exclusively in the Valley of Dura, where the princes and leaders of the nations are gathered. The general masses, however, are not in the valley but remain in their respective cities, where they hear only the regular, local instruments. This geographical divide also explains the timeline of the event. Rather than happening in one exact, simultaneous moment, the submission unfolds over the course of the day. The leaders bow instantly upon hearing the royal music in the valley, while the masses bow later that day upon hearing their local instruments, demonstrating their solidarity and agreement with the actions of their representatives [מלבי״ם].

נעזרתם בפירוש שלנו ומצאתם בו ערך?

עזרו לנו להגדיל תורה ולהאדירה. תחזוקת האתר והשבחת התוכן כרוכות בהוצאות מרובות. תרומה קטנה שלכם תסייע לנו להחזיק את הפלטפורמה ותהפוך אתכם לשותפים מלאים בהנגשת חוכמת המקרא.

תרמו עכשיו

מה דעתכם על הפירוש?

התחברתם? יש לכם חידוש או הארה על הפסוק שלמדתם כאן? נשמח לשמוע!

ההערות שלכם חשובות לנו ועוזרות לשפר את הפירוש.